Article
Art in Resonance: Timothy Paul Myers
February 23, 2021

Timothy Paul Myers next to his piece Alizarin in The Peninsula Hong Kong

Alizarin was a site-specific installation by artist Timothy Paul Myers, in collaboration with Andrew Barnes, featuring furniture and everyday items — from teapots to suitcases — that are wrapped in a deep red felt. Initially drawn in by the installation’s scale, texture and bright red hue, visitors are invited to consider each carefully wrapped object, which is representative of hotel guests past and present. Installed in a corner of the hotel’s iconic lobby café, these playful works at first seem decorative, but take on new meaning as we consider them as the discarded ephemera of life. Alizarin (named after a red dye obtained from the madder root) is not only an attempt to archive an object’s history, but also to encase the memories imbued in it. Myers draws us deeply in to the present by reminding the viewer of the fleeting nature of life. 

 

 

"Fundamentally, art is a language. I think it’s most interesting when we encounter art in unexpected places."

 

Artist Biography

BORN IN ADELAIDE, AUSTRALIA 1972
LIVES AND WORKS IN BROOKLYN, NEW YORK

Timothy Paul Myers has always used flea market finds for inspiration, layering them into meticulously ordered, textural abstractions that the LA Times deems ‘mundane and fantastic converged with uncanny, mesmerising presence.’ Myers scours thrift shops, flea markets and sidewalk rubbish for new material to reorder into multi-media works – compositions that are as conceptually intriguing as they are beautiful. Systematic repetition and grid-like arrangements of found materials are prominent themes in Myers’ work, which is widely shown in galleries and museums in America and internationally. 

For more information, please visit peninsula.com/art

 

 


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